"An enemy of the people", can truth win against money?
After I saw Ganashatru, which Satyajit Ray shot in 1989 (see Ray’s website), I noticed that it was based on Henrik Ibsen’s play An Enemy of the People, and some good soul has uploaded on YouTube...
View ArticleBimal Roy's Devdas: a burning tragedy
Contrary to what many people think, love isn’t a simple passion. First many things, such as the family, the social situation, the history of the two lovers, etc. combine to create the particular...
View ArticleParomitar ek din: can women stay the forces of lunacy?
I have only recently been made aware of the interest of movies by and with Aparna Sen, having seen Baksha Badal recently (check Sharmi’s take on it), and so here’s a look at a pleasantly intimate...
View ArticleSatyam Shivam Sundaram, Woman's divine double nature
My first impression upon viewing Raj Kapoor’s mythical Satyam shivam sundaram, an impression shared by many other bloggers, is that the Showman had purely and simply been manipulated by his lecherous...
View ArticleKapurush (The coward), or: women's own right to happiness
Do you have an hour to spare? 74 minutes to be precise? WATCH THIS NOW. And then come back to read. « This » is Satyajit Ray’s little marvel called Kapurush (1965, The Coward), a marvel of economy and...
View ArticleMahapurush, or religious profiteering
After having watched Kapurush (see previous instalment), I was strongly urged to see Mahapurush, Satyajit Ray’s twin production in the tandem that came out in 1965. The theme of the manipulative bigot...
View ArticleIf music be the food of love... Shabab
This 1954 film by M. Sadiq has qualities I wasn’t expecting. With movies that no one is reviewing or speaking about, you are faced with the unnerving problem of wondering whether you aren’t giving...
View ArticleBR Chopra's Naya Daur: the prophecy of a new India
The Brave New World of Naya Daur (New Era, BR Chopra 1957) opens with a striking quote by Mahatma Gandhi: So from the start we know that the film is going to be about the biological (bios = life)...
View ArticleMr & Mrs 55, Guru Dutt's love-dallying
Reading about Mr. & Mrs 55, Guru Dutt’s 1955 sparkling romantic comedy on the net, in order to prepare this review, has been very pleasant; this devil of a director has produced some insightful...
View ArticleRishte Naate (1965), a quiet family drama
Rishte Naate (family relationships) is a 1965 Gopalakrishnan movie, with Raj Kumar, Nutan, Nazir Hussain, Jamuna and Ameeta as main actors. It does seem like I’m exhausting my reserves of Nutan...
View ArticleBobby: Raj Kapoor lapsing into... (what?)
(Could this be this what happened to the great RK???) For Raj Kapoor the director, Bobby appeared in 1973 between Mera naam joker (1972) and Satyam shivam sundaram (1978) and so I was rather...
View ArticleThe cloud-capped star: Heaven and earth's glory
One cloud-capped day, somewhere along the bank of a Bengali river where waterfowl chirp their little bedeep, bedeep, a young woman clad in white walks out of the canopy of some century-old oaks that...
View ArticleDevi: can religious belief be inhuman?
I think I can safely say that Satyajit Ray all his life tried to fight for individual rights and a critical outlook on traditions. If you have in mind the film Ganashatru (An enemy of the people),...
View ArticleUmrao Jaan: does beauty lead to sorrow?
Umrao Jaan (Muzzafar Ali, 1981) belongs to the genre of tragedies which describe the destiny of a doomed character in a beautifully told narrative such as will bring out the pity and sorrow necessary...
View ArticleBaarish (1957) no rain, but drenched in beauty and fun
I’d been wanting to watch Baarish (1957, Shankar Mukherjee) for a long time, but as there were no subtitles, I knew I was in for a more strenuous viewing than usual. Still, this film was a little like...
View ArticlePratidwandi (The Adversary) - an exploration of the self
There isn’t much of a story in Satyajit Ray's Pratidwandi (the Adversary, 1970): because of social and economic disruption in Bengal, young Siddharta (Dhritiman Chatterjee) and his family (mother,...
View ArticleEk din achanak: emptiness...
"I wish I could start from scratch. I have done good, bad and indifferent films. I wish I could erase it all and start afresh like the Professor of "Ek Din Achanak" who walked out on his family in a...
View ArticleThe cloud-capped star: Heaven and earth's glory
One cloud-capped day, somewhere along the bank of a Bengali river where waterfowl chirp their little bedeep, bedeep, a young woman clad in white walks out of the canopy of some century-old oaks that...
View ArticleDevi: can religious belief be inhuman?
I think I can safely say that Satyajit Ray all his life tried to fight for individual rights and a critical outlook on traditions. If you have in mind the film Ganashatru (An enemy of the people) ,...
View ArticleUmrao Jaan: does beauty lead to sorrow?
Umrao Jaan (Muzzafar Ali, 1981) belongs to the genre of tragedies which describe the destiny of a doomed character in a beautifully told narrative such as will bring out the pity and sorrow necessary...
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